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Viser treff 1-14 av 14

2018
1 Hilder, Thomas Richard.
Sámi Musical Performance, Media and the Politics of Globalization: The Case of Sápmi Sessions. I: In the Balance: Indigeneity, Performance, Globalization. Liverpool University Press 2018 ISBN 9781786940346. s. 221-238
NTNU Untitled
 
2017
2 Hilder, Thomas Richard.
«Music – Gender – Activism: Transcultural Conversations». The 9th Symposium of the ICTM Study Group on Music and Gender. Musikk og tradisjon 2017 (30) s. 121-123
NTNU Untitled
 
3 Hilder, Thomas Richard.
Music, Indigeneity, Digital Media. I: Music, Indigeneity, Digital Media. University of Rochester Press 2017 ISBN 978-1-58046-573-1. s. 1-27
UiB Untitled
 
4 Hilder, Thomas Richard.
Nordic Sexual Exceptionalism and Indigenous Rights: Sámi Alternative Visions of Europe at the Eurovision Song Contest. I: Performing Sexual Identities: Nationalities on the Eurovision Stage. Institut für Volksmusikforschung und Ethnomusikologie, Universität für Musik und darstellende Kunst Wien 2017 ISBN 978-3-902153-10-4. s. 23-43
NTNU Untitled
 
5 Hilder, Thomas Richard.
Sámi Festivals and Indigeneity. I: The Oxford Handbook of Popular Music in the Nordic Countries. Oxford University Press 2017 ISBN 9780190603908.
UiB Untitled
 
6 Hilder, Thomas Richard.
Sámi Music. I: Bloomsbury Encyclopedia of Popular Music of the World Volume XI Genres: Europe. Bloomsbury Academic 2017 ISBN 9781501326103. s. 694-700
NTNU Untitled
 
7 Hilder, Thomas Richard.
The Politics of Virtuality: Sámi Cultural Simulation through Digital Musical Media. I: Music, Indigeneity, Digital Media. University of Rochester Press 2017 ISBN 978-1-58046-573-1. s. 176-204
UiB Untitled
 
8 Hilder, Thomas Richard; Stobart, Henry; Tan, Shzr Ee.
Music, Indigeneity, Digital Media. University of Rochester Press 2017 (ISBN 978-1-58046-573-1) 224 s.
UiB Untitled
 
2016
9 Hilder, Thomas Richard.
Roll over, Tchaikovsky! Russian popular music and post-Soviet homosexuality. Stephen Amico, Urbana, University of Illinois Press, 2014, xii + 316 pp., ISBN 978-0- 2520-3827-3. Ethnomusicology Forum 2016
UiB Untitled
 
10 Hilder, Thomas Richard.
Sámi Popular Music, Indigenous Feminism, Environment: Mari Boine as Grenzgängerin. Jahrbuch Musik und Gender 2016 ;Volum 8. s. 57-73
UiB Untitled
 
2015
11 Hilder, Thomas Richard.
Christine Dettmann. 2012. Ein anderes Gesicht: Lokale brasilianische Musiker in Lissabon. Intercultural Music Studies, 16. Berlin: VWB—Verlag für Wissen- schaft und Bildung. 360pp. ISBN 978-3-86135-647-9 (pbk). Journal of World Popular Music 2015 ;Volum 2.(1) s. 119-124
UiB Untitled
 
12 Hilder, Thomas Richard.
Sámi Musical Performance and the Politics of Indigeneity in Northern Europe. Rowman & Littlefield Publishers 2015 (ISBN 978-0-8108-8895-1) 243 s.
UiB Untitled
 
2012
13 Hilder, Thomas Richard.
Repatriation, Revival and Transmission: The Politics of a Sámi Musical Heritage. Ethnomusicology Forum 2012 ;Volum 21.(2) s. 161-179
UiB Untitled
 
14 Hilder, Thomas Richard.
Soundscapes Rostock: An Ethnomusicological View of City Sound – Website Review. Yearbook for Traditional Music 2012 ;Volum 44. s. 233-234
UiB Untitled