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2017
1 Bucciarelli, Melania.
'Farò il possibile per vincer l’animo di M.r Handel': Senesino’s arrival in London and Arsace’s rhetoric of passions. Eighteenth-Century Music 2017 ;Volum 14.(1) s. 53-87
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2015
2 Bucciarelli, Melania.
A Clash of Interests? Writing for Senesino on the London Stage. Händel und seine Interpreten / Handel and His Interpreters. Internationale Wissenschaftliche Konferenz zu den Händel-Festspielen in Halle (Saale); 2015-06-08 - 2015-06-10
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3 Bucciarelli, Melania.
Senesino's negotiations with the Royal Academy of Music: further insight into the Riva-Bernardi correspondence and the role of singers in the practice of eighteenth-century opera. Cambridge Opera Journal 2015 ;Volum 27.(3) s. 189-213
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2014
4 Bucciarelli, Melania.
David Hansen. Kronjuvelen. Dagens Næringsliv [Avis] 2014-02-01
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5 Bucciarelli, Melania.
Farinelli and his brothers: Castrati in eighteenth-century Europe. Senter for Tidligmusikk Barokkfest 2014; 2014-02-01
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6 Bucciarelli, Melania.
Farò il possibile per vincer l’animo di M.r Handel” (I will do my best to win over M.r Handel’s heart): Arsace (1721) and Senesino’s arrival in London. Royal Musical Association 50th annual conference; 2014-09-04 - 2014-09-06
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2012
7 Bucciarelli, Melania.
Luigi Nono, Intolleranza 1960. I: Grafia musicale e segno pittorico nell’avangurdia italiana (1950-1970). Rome: De Luca Editori d’Arte 2012 ISBN 978-88-6557-112-5.
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8 Bucciarelli, Melania.
Luigi Nono, Omaggio a Emilio Vedova. I: Grafia musicale e segno pittorico nell’avangurdia italiana (1950-1970). Rome: De Luca Editori d’Arte 2012 ISBN 978-88-6557-112-5.
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9 Bucciarelli, Melania.
Niccolò Castiglioni, Tre Misteri. I: Grafia musicale e segno pittorico nell’avangurdia italiana (1950-1970). Rome: De Luca Editori d’Arte 2012 ISBN 978-88-6557-112-5.
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10 Bucciarelli, Melania.
Senesino: An Italian Castrato in Dresden, 1717-1720. Symposium Italienischer Music in Deutschland und Frankreich - Diagonale und Parallelen; 2012-10-26 - 2012-10-28
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2010
11 Bucciarelli, Melania.
From Rinaldo to Orlando, or Senesino's Path to Madness. I: Handel. Ashgate 2010 ISBN 978-0-7546-2885-9. s. -
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12 Bucciarelli, Melania.
Spinalba, opera buffa and the tradition of commedia dell’arte. Day Study on Spinalba; 2010-10-24
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2009
13 Bucciarelli, Melania.
Eleanor Selfridge Field, The Calendar of Venetian Opera: A New Chronology of Venetian Opera and Related Genres, 1660-1760, Stanford University Press: Stanford, 2007). Eighteenth-Century Music 2009 ;Volum 6.(1) s. 126-128
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14 Bucciarelli, Melania.
Francesco Nicola Haym. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920.
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15 Bucciarelli, Melania.
From Rinaldo to Orlando, or Senesino's Path to Madness. I: D'une scène à l'autre. L'opéra italien en Europe. Bruxelles: Editions Mardaga 2009 ISBN 9782870099926. s. 135-155
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16 Bucciarelli, Melania.
Giovanni Bononcini. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920.
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17 Bucciarelli, Melania.
Giovanni Bononcini, Griselda. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920.
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18 Bucciarelli, Melania.
Ludovico Ariosto. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920.
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2008
19 Bucciarelli, Melania.
Armida’s Mirror: Literary (and non-literary) motifs in Vivaldi’s Armida al campo d’Egitto (Venice, 1718). New Directions in Musical Research Series; 2008-04-24
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20 Bucciarelli, Melania.
Classical Tragedy in the Italian Manner: The Case of Polidoro. I: Italian Opera in Central Europe, vol. 2: Italianità: Image and Practice in Central European Opera in the 17th and 18th Centuries. BWV - Berliner Wissenschafts-Verlag 2008 ISBN 978-3-8305-1537-1. s. 55-68
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21 Bucciarelli, Melania.
Taming the Exotic: Vivaldi’s Armida al campo d’Egitto. I: Vivaldi, “Motezuma” and the Opera Seria: Essays on a Newly Discovered Work and Its Background. Brepols 2008 ISBN 978-2503527802. s. 81-102
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2007
22 Bucciarelli, Melania.
Echi tassiani e rappresentazioni dell'Oriente al Teatro S. Angelo di Venezia. I: Le arti della scena e l'esotismo in età moderna. Naples: Turchini Edizioni 2007 ISBN 88-89491-02-7. s. 217-233
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23 Bucciarelli, Melania.
From Venice to London: On the Trail of Luigi Riccoboni and Italian Opera. I: Italian Opera in Central Europe, vol. 3: Opera subjects and European Relationships. BWV - Berliner Wissenschafts-Verlag 2007 ISBN 978-3-8305-1430-5. s. 233-249
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24 Bucciarelli, Melania.
Soggetti, storie e immagini nell’opera veneziana al tempo di Antonio Vivaldi. Conference Istituto Antonio Vivaldi; 2007-06-13 - 2007-06-16
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25 Bucciarelli, Melania.
Venice and the East: Operatic Readings of Tasso’s Armida in early Eighteenth-Century Venice. I: Music as Social and Cultural Practice. Boydell & Brewer 2007 ISBN 9781843833178. s. 232-249
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26 Bucciarelli, Melania; Joncus, Berta.
Music as Social and Cultural Practice. Boydell & Brewer 2007 (ISBN 9781843833178) 464 s.
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2006
27 Bucciarelli, Melania.
From Rinaldo to Orlando, or Senesino's path to madness. Public Lectures Series, Foundling Museum; 2006-06-21
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28 Bucciarelli, Melania.
Singers, Voices and Props: How should we ‘do’ Handel opera?. Bloomsbury Festival, School of Advanced Studies, Debates series; 2006-10-22
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29 Bucciarelli, Melania; Dubowy, Norbert; Strohm, Reinhard.
Italian Opera in Central Europe, 1614-c.1780, vol. 1: Institutions and Ceremonies. BWV - Berliner Wissenschafts-Verlag 2006 (ISBN 978-3-8305-0381-1) 329 s.
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2005
30 Bucciarelli, Melania.
Conference Report: Le arti della scena e l'esotismo in età moderna (Naples, 6-9 May 2004). Eighteenth-Century Music 2005 ;Volum 2.(2) s. 185-188
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31 Bucciarelli, Melania.
Venice and the East: Exotic Motives in Early Eighteenth-Century Opera. Symposium on Motezuma, Vivaldi and Opera Seria; 2005-06-11 - 2005-06-12
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2004
32 Bucciarelli, Melania.
Echi tassiani e rappresentazioni dell'Oriente al Teatro S. Angelo di Venezia. International conference Le arti della scena e l'esotismo in età moderna; 2004-05-06 - 2004-05-09
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33 Bucciarelli, Melania.
From Rinaldo to Orlando, or Senesino's path to madness. Symposium Italian Voices and European Practice; 2004-08-28 - 2004-08-30
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34 Bucciarelli, Melania.
Opera, Politics and Intertextuality. Postgraduate Seminars; 2004-11-08
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2003
35 Bucciarelli, Melania.
"Parto o bella, ma con qual cuore…". Riflessioni sulla drammaturgia del dramma per musica e il suo rapporto con l'arte comica. I: Commedia dell'Arte e Spettacolo in musica tra Sei e Settecento. Naples: Editoriale Scientifica 2003 ISBN 88-88321-57-8. s. 237-252
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2001
36 Bucciarelli, Melania.
From Venice to London: On the Trail of Luigi Riccoboni and Italian Opera. European Science Foundation International Conference Opera subjects and European Relationships; 2001-10-12 - 2001-10-14
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37 Bucciarelli, Melania.
From Venice to London: On the Trail of Luigi Riccoboni and Italian Opera. Words and music: a symposium on Eighteenth-century Italian opera in memory of Giovanna Gronda; 2001-02-23
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38 Bucciarelli, Melania.
Parto o bella, ma con qual cuore…: Riflessioni sulla drammaturgia del dramma per musica e il suo rapporto con l'arte comica. International conference Commedia dell'Arte e Spettacolo in musica tra Sei e Settecento; 2001-09-28 - 2001-09-29
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2000
39 Bucciarelli, Melania.
Classical Tragedy in the Italian Manner: The Case of Polidoro. European Science Foundation International Conference Italianità: Image and Practice in Central European Opera in the Seventeenth and Eighteenth Centur; 2000-09-22 - 2000-09-24
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40 Bucciarelli, Melania.
Italian Opera and European Theatre, 1680-1720: Plots, Performers, Dramaturgies. Brepols 2000 (ISBN 978-2-503-51021-7) 242 s.
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41 Bucciarelli, Melania.
Parole e Musica: Corneille, Capece e il melodramma d’ispirazione francese a Roma prima di Metastasio. International Conference Le Arti in gara. Roma nel Settecento; 2000-09-18 - 2000-09-22
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1999
42 Bucciarelli, Melania.
French Drama in the Italian Manner: Dramaturgy, Spectacle and Literary Standards of Early 18th Century Italian Opera. Research seminars at the University of Natal; 1999-06-17
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43 Bucciarelli, Melania.
Radamisto's Theatrical Sources and their Influence on Handel's Creative Process. I: Göttinger Händel-Beiträge. Vandenhoeck & Ruprecht 1999 ISBN 978-3-525-27816-1. s. 119-142
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1998
44 Bucciarelli, Melania.
Italian tragedy and dramma per musica: attempts at a reform of Italian theatre (1694-1715). Royal Musical Association Annual Conference Music and Theatre; 1998-03-27 - 1998-03-29
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45 Bucciarelli, Melania.
Luigi Riccoboni: Drama and Opera in Italy, France and England. European Science Foundation International Workshop-Conference European Baroque Opera: Institutions and Ceremonies; 1998-11-27 - 1998-11-29
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46 Bucciarelli, Melania.
Representation of nature in early 18th-century Italian opera: Albinoni-Gasparini's Engelberta (1709). Centre for 18th-Century Musical Studies International Conference Music in Eighteenth-Century Italy; 1998-07-12 - 1998-07-15
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1996
47 Bucciarelli, Melania.
Commedia dell'Arte and Opera Seria. International Conference Commedia dell'Arte: Actors and Artists; 1996-05-09 - 1996-05-10
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1995
48 Bucciarelli, Melania.
Il Matrimonio Segreto ovvero Il Segreto di un Matrimonio Riuscito. Teatro di San Carlo, Naples.
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49 Bucciarelli, Melania.
Radamisto's Theatrical Sources and their Influence on Handel's Creative Process. 11th Annual Conference on Music in Eighteenth-Century Britain; 1995-11-24
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1994
50 Bucciarelli, Melania.
Michelangelo Rossi, Erminia sul Giordano (bd 5). I: Pipers Enzyklopädie des Musiktheaters bd 1-7. München und Zürich: Piper Verlag 1994 ISBN 3492024157. s. 351-353
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