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2017
1 Bergsland, Andreas; Saue, Sigurd; Østern, Tone Pernille; Øyen, Elen.
Forskningskonserten Lyd-Rom-Bevegelse.
NTNU Untitled
 
2 Bergsland, Andreas; Østern, Tone Pernille.
Dansekonsert på Musikkteknologidagene, knyttet til prosjektet LYD-ROM-BEVEGELSE. [Kunstnerisk og museal presentasjon] Musikkteknologidagene. Norges Musikkhøyskole; Oslo. 2017-10-10 - 2017-10-10
NTNU UiO Untitled
 
2016
3 Bergsland, Andreas.
“No e æ i det rommet ...” – minner, resonans og etterklang. I: Høyblokka Post-Mortem: Teater som ritual. Novus Forlag 2016 ISBN 978-82-7099-864-7. s. 67-79
NTNU Untitled
 
4 Bergsland, Andreas.
Noisy Stuff.
NTNU Untitled
 
5 Bergsland, Andreas.
Popmusikkens musikkteknologi. Instrumenter, medier og uttrykksmuligheter i etterkrigstidens populærmusikk. Gjesteforelesning; 2016-02-19 - 2016-02-19
NTNU Untitled
 
6 Bergsland, Andreas.
Stemme i norsk elektroakustisk musikk. Norsk elektronisk musikk: Den elektriske stemma.; 2016-10-13 - 2016-10-13
NTNU Untitled
 
7 Bergsland, Andreas; Engum, Trond.
More Unheard Sounds - technique, creativity and application of transposed ultrasound. The 11th Art of Record Production Conference; 2016-12-02 - 2016-12-04
NTNU Untitled
 
8 Bergsland, Andreas; Wechsler, Robert.
MotionComposer - a device for persons with (and without) disabilities. Any gesture can be musical. Affording difference in musical interaction design.. Porto International Conference on Musical Gesture as Creative Interface; 2016-03-17 - 2016-03-19
NTNU Untitled
 
9 Bergsland, Andreas; Wechsler, Robert.
Turning movement into music – issues and applications of the MotionComposer, a therapeutic device for persons with different abilities. SoundEffects 2016 ;Volum 6.(1) s. 24-47
NTNU Untitled
 
10 Brandtsegg, Øyvind; Engum, Trond; Kjenstad, Siv Øyunn; Ratkje, Maja Solveig Kjelstrup; Saue, Sigurd; Waadeland, Carl Haakon; Wærstad, Bernt Isak; Åse, Tone; Bøe, Solveig; Emmerson, Simon; Lazzarini, Victor; Jordal, Iver; Bergsland, Andreas; Kaldestad, Gyrid Nordal; Claesson, Mats.
BLOG: Cross adaptive processing as musical intervention - Exploring radically new modes of musical interaction in live performance. http://crossadaptive.hf.ntnu.no/ [Internett] 2016-06-01
NMH NTNU Untitled
 
11 Golub, Koraljka; Milrad, Marcelo; Ping Huang, Marianne; Tolonen, Mikko; Matres, Inés; Bergsland, Andreas.
Digital Humanities in the Nordic Countries: Current efforts, perspectives and challenges. International Symposium on Digital Humanities; 2016-11-07 - 2016-11-08
NTNU Untitled
 
2015
12 Bergsland, Andreas.
Aspects of Digital Affordances: Openness, Skill and Exploration. International Metabody Forum (IMF): Affordances of Symbiosis; 2015-03-05 - 2015-03-06
NTNU Untitled
 
13 Bergsland, Andreas.
Jeu de modes II - Hi-dance version. Interactive dance for three performers..
NTNU Untitled
 
14 Bergsland, Andreas.
Jeu de modes III - NIME version. Interactive dance for five performers..
NTNU Untitled
 
15 Bergsland, Andreas.
Jeu de modes IV - DAFx version. Interactive dance for solo performer..
NTNU Untitled
 
16 Bergsland, Andreas; Wechsler, Robert.
Composing Interactive Dance Pieces for the MotionComposer, a device for Persons with Disabilities. Proceedings of the International Conference on New Interfaces for Musical Expression 2015 s. 20-23
NTNU Untitled
 
17 Engum, Trond; Bergsland, Andreas.
Unheard Sounds: The Aesthetics Of Inaudible Sounds Made Audible. Journal on the Art of Record Production 2015
NTNU Untitled
 
2014
18 Bergsland, Andreas.
Jeu de modes.
NTNU Untitled
 
19 Bergsland, Andreas.
Jeu de modes.
NTNU Untitled
 
20 Bergsland, Andreas.
La dance II.
NTNU Untitled
 
21 Bergsland, Andreas.
Songshan Mountain.
NTNU Untitled
 
22 Bruun, Ellen Foyn; Bergsland, Andreas.
The Humanities: contribution and potential in digital encounters/Performativity Group. Digital Storytelling Seminar; 2014-01-31 - 2014-01-31
NTNU Untitled
 
23 Engum, Trond; Bergsland, Andreas.
Unheard Sounds - the aesthetics of inaudible sounds made audible. Art of Record Production; 2014-12-04 - 2014-12-06
NTNU Untitled
 
24 Kristensen, Espen.
Grunnleggende elektronisk musikkproduksjon i ungdomsskolen. : NTNU 2014 99 s.
NTNU Untitled
 
2013
25 Bergsland, Andreas.
Stemmer i elektroakustisk musikk – opplevelse, beskrivelse og visualisering. Lydskrift 2013 (3)
NTNU Untitled
 
26 Bergsland, Andreas.
The maximal-minimal model: a framework for evaluating and comparing experience of voice in electroacoustic music. Organised Sound 2013 ;Volum 18.(2) s. 218-228
NTNU Untitled
 
27 Bergsland, Andreas; Wechsler, Robert.
Movement-Music Relationships and Sound Design in MotionComposer, an Interactive Environment for Persons with (and without) Disabilities. Proceedings of re-new Digital Arts Forum 2013 s. 56-61
NTNU Untitled
 
28 Brandtsegg, Øyvind; Waadeland, Carl Haakon; Saue, Sigurd; Engum, Trond; Wærstad, Bernt Isak; Åse, Tone; Bergsland, Andreas.
T-EMP: Trondheim Electroacoustic Music Performance. Communication and interplay in an electronically based ensemble. Trondheim: NTNU 2013 161 s.
NTNU Untitled
 
29 Tiller, Asbjørn; Bergsland, Andreas.
I am sitting in that room – reverberation, resonance and expanded meanings in Lucier’s "I am sitting in a room”. EMS 13 - Electroacoustic Music in the Context of Interactive Approaches and Networks; 2013-06-17 - 2013-06-21
NTNU Untitled
 
2012
30 Bergsland, Andreas; Åse, Tone.
Using a seeing/blindfolded paradigm to study audience experiences of live-electronic performances with voice. Proceedings of the International Conference on New Interfaces for Musical Expression 2012 s. 433-436
NTNU Untitled
 
2011
31 Bergsland, Andreas.
Arne Nordheim og den tidlige elektroakustiske musikken i Norge. I: Norsk avantgarde. Novus Forlag 2011 ISBN 978-82-7099-649-0. s. 229-242
NTNU Untitled
 
32 Bergsland, Andreas.
Høyblokka minneforestilling.
NTNU Untitled
 
33 Bergsland, Andreas.
Musicology and the Performance Turn. International Performativity Seminar; 2011-04-12 - 2011-04-14
NTNU Untitled
 
34 Bergsland, Andreas.
The Six Fantasies Machine – an instrument modelling phrases from Paul Lansky’s Six Fantasies. Proceedings of the International Conference on New Interfaces for Musical Expression 2011 ;Volum 11. s. 523-526
NTNU Untitled
 
35 Bergsland, Andreas.
Å føle, å kjenne igjen, å minnes – lydkomposisjon som assosiativt og emotivt uttrykk. Propellen scenetekstmønstring: HØYBLOKKAS MINNEFORESTILLING: Minner som rituale og tekst i stedspesifikk performance praksis; 2011-02-24 - 2011-02-24
NTNU Untitled
 
36 Bergsland, Andreas; Rønning, Barbro.
The tower block - post mortem: An installation from the life of a memory blog and a performance. [Kunstnerisk og museal presentasjon] Media Acts - The 10th international conference of the Nordic Society for Intermedial Studies (NorSIS). IKM, NTNU; Trondheim. 2011-10-27 - 2011-10-28
NTNU Untitled
 
37 Bergsland, Andreas; Åse, Tone.
Stemmemøter. Lydhørt, Musikkteknologidagene 2011; 2011-10-19 - 2011-10-21
NTNU Untitled
 
38 Bergsland, Andreas; Åse, Tone.
Voice Meetings. International Performativity Seminar; 2011-04-12 - 2011-04-14
NTNU Untitled
 
39 Bergsland, Andreas; Åse, Tone.
”Voice Meetings” – interdisciplinary cooperation in artistic research. The Art of Artistic Research; 2011-05-06 - 2011-05-08
NTNU Untitled
 
2010
40 Bergsland, Andreas.
Experiencing Voices in Electroacoustic Music. Trondheim: NTNU 2010 (ISBN 978-82-471-2130-6) 434 s.
NTNU Untitled
 
41 Bergsland, Andreas.
Graeme Sullivan’s Making Space: The Purpose and Place of Practice-led Research sett i lys av prosjektet Høyblokka-Post mortem. MetLab; 2010-10-22 - 2010-10-22
NTNU Untitled
 
2009
42 Bergsland, Andreas.
A FRAMEWORK FOR UNDERSTANDING AND EVALUATING THE EXPERIENCE OF VOCAL SOUNDS IN ELECTROACOUSTIC MUSIC. Ear in Music; 2009-05-11 - 2009-05-12
NTNU Untitled
 
2007
43 Bergsland, Andreas.
Between voice and sound - experiential limits of voice in electroacoustic music. TiVoice07; 2007-11-08 - 2007-11-11
NTNU Untitled
 
2006
44 Bergsland, Andreas.
Bevegelse, hastighet og materialitet fra Edisons phonograph til Charles Dodges Speech Songs. I: Estetiske teknologier 3. Scandinavian Academic Press 2006 ISBN 82-304-0017-2. s. 125-154
NTNU Untitled
 
45 Bergsland, Andreas.
Lyddesign / komponist på "Signaler". [Kunstnerisk og museal presentasjon] Populærvitenskapelig utstilling. Kunnskapsparken FAROS, NTNU; Trondheim. 2006-03-17 - 2006-04-30
NTNU Untitled
 
46 Bergsland, Andreas.
Musikkteknologi – noe for musikkviteren?. Faglig forum; 2006-04-24 - 2006-04-24
NTNU Untitled
 
47 Bergsland, Andreas.
On opening a closed form – modelling Paul Lansky’s Six Fantasies on a poem by Thomas Campion. Workshop on open form; 2006-04-21 - 2006-04-23
NTNU Untitled
 
48 Bergsland, Andreas.
Wo/man in the machine: The perception of artificiality and humanness in electrovocal music. NoMute 2006; 2006-10-12 - 2006-10-14
NTNU Untitled
 
2005
49 Bergsland, Andreas.
From maximal to minimal voice – concepts for evaluating vocal sounds in electroacoustic music. EMS05; 2005-10-19 - 2005-10-22
NTNU Untitled
 
50 Bergsland, Andreas.
Mellom akustisk signal og forståelse - metodiske utfordringer i lyttebaserte studier av elektroakustisk musikk. Torsdagsmøte; 2005-05-04 - 2005-05-04
NTNU Untitled
 
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