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2023
1 Prince, Michael John.
“Imminent and Striated Spaces in Harry Partch’s The Wayward”. The 4th INSL conference «Poetry. Experience. Attention»; 2023-06-06 - 2023-06-08
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2 Prince, Michael John.
What Would Preacher Do? Tactics of Blasphemy in the Strategies of Satire and Parody. I: Comics, Culture, and Religion Faith Imagined. Bloomsbury Academic 2023 ISBN 9781350321588. s. 89-106
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2022
3 Markussen, Bjarne; Slettan, Svein; Prince, Michael John.
Arven fra skillingsvisene. Boklansering; 2022-03-11 - 2022-03-11
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4 Prince, Michael John.
Microdystopias and the Encoded Uncanny in Ira Levin & Rick and Morty. I: Microdystopias : Aesthetics and ideologies in a broken moment. Lexington Books 2022 ISBN 978-1-66692-942-3.
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5 Prince, Michael John.
Textual and Musical Aspects of Satire in Irving Berlin's "Stay Down Here Where You Belong" and Frank Zappa's "Billy the Mountain". I: Sanglyrikk. Teori - Metode - Sjangrer. Scandinavian Academic Press 2022 ISBN 978-82-304-0342-6.
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2021
6 Prince, Michael John.
"Axel jensen's Beat Cred.: Ikaros & Line and the Beat Poets. Beat Studies - Present and Future: Virtual Conference 2021; 2021-10-29 - 2021-10-31
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7 Prince, Michael John.
Bob Dylans John Wesley Harding. Skillingsviser og sosialbanditter etter kjærlighetssommeren. I: Arven fra skillingsvisene. Fra en sal på hospitalet til en sofa fra IKEA. Scandinavian Academic Press 2021 ISBN 9788230402979. s. 285-310
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8 Prince, Michael John.
Desertdscape and renewal in Axel Jensen's Doktor Fantastisk. Autumn Virtual Meeting of NNCORE; 2021-11-12 - 2021-11-12
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9 Prince, Michael John.
Simulations, microdystopias, and the encoded uncanny in Rick and Morty. Microdystopias workshop; 2021-05-27 - 2021-05-28
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2020
10 Prince, Michael John.
«Bob Dylan’s John Wesley Harding: sosialbanditten etter kjærlighetssommeren».. Seminaret Den radikale Bob Dylan; 2020-10-30 - 2020-10-31
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2019
11 Prince, Michael John.
Found lyrics og musikalske uttrykk i Harry Partchs The Wayward. Sanglyrikk seminar ved Universitetet i Agder; 2019-04-23 - 2019-04-25
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2018
12 Prince, Michael John.
Beat Refrains:Music, Milieu and Identity in Jack Kerouac's The Subterraneans, the Motro-Goldwyn-Mayer Film Adaptation. I: Kerouac on record: a literary soundtrack. Bloomsbury Academic 2018 ISBN 978-1-5013-2334-8. s. 111-121
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2017
13 Prince, Michael John.
Bob Dylans tvetydige litteratur. Er hans kunstneriske produksjon Nobels litteraturpris verdi?. I: Agder Vitenskapsakademi - Årbok 2016. Portal forlag 2017 ISBN 978-82-8314-153-5. s. 260-265
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14 Prince, Michael John.
The magic of patriarchal oppression in Alan Moore and Eddie Campbell’s From Hell. Journal of Graphic Novels and Comics 2017 s. -
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2016
15 Prince, Michael.
Adapting the Beat Poets: Burroughs, Ginsberg, and Kerouac On Screen. Rowman & Littlefield Publishers 2016 (ISBN 9781442273245) 180 s.
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16 Prince, Michael.
The Iconic and the Authentic in Film Adaptations of Works of the Beat Poets. European Beat Studies Network, Manchester U.K.; 2016-06-27 - 2016-06-29
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17 Prince, Michael.
The myth of the American West, "Manifest Destiny," and the frontier. I: Approaches to American Cultural Studies. Routledge 2016 ISBN 9780415720854. s. 71-80
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2015
18 Forsgren, Frida; Prince, Michael.
Out of the Shadows. Beat Women are not Beaten Women. Portal forlag 2015 (ISBN 978-82-8314-059-0) 316 s.
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19 Prince, Michael.
Beat generasjonen-sett i lys av sosiologi og sosialt arbeid. Prosperitas forelesnings serie; 2015-02-25 - 2015-02-25
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20 Prince, Michael.
"Hva kjennetegner en Beat forfatter?": Beatgenerasjonen og Axel Jensen. Beat generasjonen og Axel Jensen; 2015-02-07 - 2015-02-07
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21 Prince, Michael.
Whose side are you on?: Negotiations between individual liberty and collective responsibility in Millar and McNivens Marvel Civil War. Journal of Graphic Novels and Comics 2015 ;Volum 6.(2) s. 182-192
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22 Prince, Michael; Forsgren, Frida.
Out of the Shadows: Beat Women are not Beaten Women. I: Out of the Shadows. Beat Women are not Beaten Women. Portal forlag 2015 ISBN 978-82-8314-059-0. s. 9-24
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23 Prince, Michael John.
Daniel Stein and Jan-Noël Thon (eds.). From Comic Strips to Graphic Novels:Contributions to the Theory and History of Graphic Narrative. Narratologia 37. Berlin: De Gruyter, 2013, vi + 416 pp., 50 figures, € 99.95/$ 140.00 /£ 74.99.. Anglia. Zeitschrift für englische Philologie 2015 ;Volum 133.(2) s. 411-415
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24 Prince, Michael John.
Literary Reactions to "Peak Oil": From James Howard Kunstler's The Long Emergency (2005) to World Made By Hand (2008).. The Machine in the Garden: Energy, Industry, & Technology in American Culture; 2015-10-23 - 2015-10-25
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25 Prince, Michael John.
(Re)visioning America in the Graphic Novel: Introduction. European Journal of American Studies 2015 ;Volum 10.(2)
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26 Prince, Michael John.
Why is Marylou Reading Proust? Intertextuality and Metatextuality in Salles and Rivera's On the Road (2012). I: Out of the Shadows. Beat Women are not Beaten Women. Portal forlag 2015 ISBN 978-82-8314-059-0. s. 167-178
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2014
27 Prince, Michael.
Don’t Worry about the Government: Agency Panic in Philip K. Dick and Steven Spielberg’s ‘Minority Reports’. I: The dynamics of interconnections in popular culture(s). Cambridge Scholars Publishing 2014 ISBN 978-1-4438-5031-5. s. 142-158
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28 Prince, Michael.
Space and Subjectification in Alan Moore’s The Ballad of Halo Jones, The Saga of the Swampt Thing and V for Vendetta. I: Negotiating Culture through Comics. Inter-Disciplinary Press 2014 ISBN 978-1-84888-256-0. s. 125-138
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29 Prince, Michael.
"Whither goest thou, America?": Deterritorialization, Identity, and the Fellahin Ideal in Jack Kerouac's On the Road. I: Transculturation and Aesthetics.Ambivalence,Power and Literature. Brill Academic Publishers 2014 ISBN 9789042039155. s. 187-203
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30 Prince, Michael.
Whose Side Are You On?: Negotiations Between Individual Liberty and Collective Responsibility in Millar and McNiven's Marvel Civil War. America: Justice, Conflict, War / EAAS Biennial Conference; 2014-04-03 - 2014-04-06
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2013
31 Prince, Michael.
“Alan Moore and David Lloyd's V for Vendetta: extratextuality and intertextuality in the creative and cultural spheres”. NNCORE 2013. International Conference in Comics Studies; 2013-05-23 - 2013-05-25
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32 Prince, Michael.
The Individual Subject in Smooth and Striated Space in Alan Moore’s The Ballad of Halo Jones and Saga of the Swamp Thing. I: Cultural Excavation and Formal Expression in the Graphic Novel. Inter-Disciplinary Press 2013 ISBN 978-1-84888-199-0. s. 185-193
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33 Prince, Michael.
The Subterraneans, or Arthur Freed's Beatnik Musical. European Beat Studies Network Second Annual Conference; 2013-08-28 - 2013-08-30
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34 Prince, Michael.
"True to the Spirit"?: The Problem of Authenticity in the Film Adaptation of the Major Works of the Beat Poets. 43rd Annual Popular Culture Association American Culture Association Conference; 2013-03-27 - 2013-03-30
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35 Prince, Michael.
Why is Marylou Reading Proust?: Intertextuality as Metatextuality in Salles and Rivera's On the Road (2012). Out of the Shadows: The Female Beats; 2013-09-01 - 2013-09-03
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36 Prince, Michael; Shults, Fount LeRon.
Anarchy Machines: Faciality, Territory and Despotism in V for Vendetta. Deleuze Studies Conference: The Territory In-Between; 2013-07-08 - 2013-07-10
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37 Shults, Fount LeRon; Prince, Michael.
Anarchy Machines: Territory, Faciality and Despotism in "V for Vendetta". 6th International Deleuze Conference; 2013-07-10 - 2013-07-12
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2012
38 Prince, Michael.
HOWL: A Novel Graphic: Authenticity and Irony in Eric Drooker's Adaptations of Allen Ginsberg's "Howl". Scan: Journal of Media Arts Culture 2012 ;Volum 9.(1)
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39 Prince, Michael.
Identities and Territorializations: The Individual Subject in Alan Moore's "The Ballad of Halo Jones" and "Swamp Thing". 1st Global Conference on The Graphic Novel; 2012-09-07 - 2012-09-09
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40 Prince, Michael.
"Reacting to the Past," Critical Thinking and Language Production: The Struggle for Civil Rights, Dorcester, 1963. Nye perspektiver på fremmedspråksdidaktikk; 2012-09-20 - 2012-09-21
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41 Prince, Michael.
Smooth and Striated Space in Jack Kerouac's On the Road: Sal Paradise encounters the Fallahin. Transculturation and Aetsthetics; 2012-08-31 - 2012-09-02
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42 Prince, Michael.
The Visual William S. Burroughs. Crossroads: American Directions; 2012-10-19 - 2012-10-21
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2011
43 Prince, Michael J..
Alan Moore's America: The Liberal Individual and American Identities in Watchmen. Journal of Popular Culture 2011 ;Volum 44.(4) s. 815-830
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44 Prince, Michael J..
"Eric Drooker's Dumb Show: Visual Allusions and Irony in Drooker's Illustrations of Allen Ginsberg's 'Howl'". NAAS Conference Oslo 2011; 2011-05-27 - 2011-05-29
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45 Prince, Michael J..
"Science Fiction without Irony?: Philip K. Dick's VALIS". NAAS Conference Oslo 2011; 2011-05-27 - 2011-05-29
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46 Prince, Michael J..
The Master Film is a Western : The Mythology of the American West in the Cities of the Red Night Trilogy. European Journal of American Studies 2011 Suppl. Postfrontier Writing s. -
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2010
47 Prince, Michael J..
"Antony Balch and William S. Burroughs' Towers Open Fire: Continuity, Cut-Up and Themes in Burroughs' Later Fiction. Forever Young? The Changing Image of America--European Association of American Studies Biennial Conference; 2010-03-26 - 2010-03-29
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48 Prince, Michael J..
"Authenticity, Irony, and Satire in Hunter S. Thompson's Fear and Loathing in Las Vegas". The Authenticity Project--Beats Postwar Literature; 2010-11-04 - 2010-11-05
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49 Prince, Michael J..
"In the Land of The 39 Steps": Cybernetics and Centralized Planning in the 1930s U.K. and U.S. ASANOR/NACS, English and Philology Department, Vytautas Magnus University, Lithuania Joint Conference: Cultures, Identities, and Languages in North-American Contexts; 2010-09-23 - 2010-09-25
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2009
50 Prince, Michael J..
"Orwell i e-bokens alder". Aftenposten (morgenutg. : trykt utg.) 2009 s. 5-
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