2018
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1. |
Stenstadvold, Erik. Long or short? The appoggiatura in the early 19th-century guitar tradition, with special reference to the music of Fernando Sor. Early Music 2018 ;Volume 46.(1) p. 87-101 NMH
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2017
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2. |
Stenstadvold, Erik. A Newly Discovered Letter of 1827 by Fernando Sor. Soundboard Scholar 2017 ;Volume 3.(3) p. 4-12 NMH
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3. |
Stenstadvold, Erik. Mariano Castro de Gistau (d 1856) and the Vogue for the Spanish Guitar in Nineteenth-Century Britain. Nineteenth-Century Music Review 2017 ;Volume 16.(2) p. 177-197 NMH
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4. |
Stenstadvold, Erik. Sor's Appogiaturas: Long or short?. Paper presentasjon; 2017-03-10 - 2017-03-12 NMH
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2016
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5. |
Stenstadvold, Erik. An unknown pupil of Fernando Sor: the life and career of Mariano Castro. Konferanse; 2016-04-09 - 2016-04-12 NMH
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2015
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6. |
Stenstadvold, Erik. Fernando Sor on the Move in the Early 1820s. Soundboard Scholar 2015 ;Volume 1.(1) p. 16-25 NMH
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7. |
Stenstadvold, Erik. Why did Sor leave London? New light on his activities in 1822-23.. Paper presentasjon; 2015-05-01 - 2015-05-03 NMH
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2014
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8. |
Stenstadvold, Erik. "Ornamentation in Sor’s music: notation, interpretation, improvisation". Paper presentasjon; 2014-04-07 - 2014-04-09 NMH
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9. |
Stenstadvold, Erik. "Why did Sor leave London?". Paper presentasjon; 2014-04-07 - 2014-04-09 NMH
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2013
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10. |
Stenstadvold, Erik. The struggle for recognition – the guitar and the prejudices of the musical establishment in the 19th century. Paper presentasjon; 2013-04-08 - 2013-04-10 NMH
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11. |
Stenstadvold, Erik. ‘We hate the guitar’: prejudice and polemic in the music press in early 19th-century Europe. Early Music 2013 ;Volume 41.(4) p. 595-604 NMH
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12. |
Stenstadvold, Erik; de Montiano, Luis Briso. Salvador Castro de Gistau: Guitarist and Publisher. Paper presentasjon; 2013-04-05 - 2013-04-07 NMH
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2012
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13. |
Stenstadvold, Erik. "Salvador Castro - Guitarist and Publisher." (Work in Progress). The Second Cambridge Colloquium on the Guitar in the Early Nineteenth-Century; 2012-08-31 - 2012-09-02 NMH
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14. |
Stenstadvold, Erik. “The Worst Drunkard in London” : The Life and Career of the Guitar Virtuoso Leonard Schulz. Soundboard 2012 ;Volume 38.(4) p. 11-17 NMH
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2011
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15. |
Stenstadvold, Erik. Leonard Schulz (1814 – 1860): A brief Survey of his Life and Presentation of his Studies for the Guitar. 3rd Lake Konstanz Guitar Research Meeting; 2011-04-01 - 2011-04-03 NMH
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16. |
Stenstadvold, Erik. 'Leonard Schulz 1814-1860: The Collected Guitar Studies' Edited, with a Preface and Commentary, by Erik Stenstadvold. NMH
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17. |
Stenstadvold, Erik. "Paris’ Role in the Rise of the Guitar 1750-1820". The First Cambridge Colloquium on the Guitar in the Early Nineteenth-Century; 2011-04-04 - 2011-04-05 NMH
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18. |
Stenstadvold, Erik. ‘The Earliest English Methods for the Spanish Guitar’. The First Cambridge Colloquium on the Guitar in the Early Nineteenth-Century; 2011-04-04 - 2011-04-05 NMH
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19. |
Stenstadvold, Erik. The Role of Paris in the development of the Classical Guitar, 1750-1825. Seminar; 2011-01-24 - 2011-01-25 NMH
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2010
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20. |
Stenstadvold, Erik. An Annotated Bibliography of Guitar Methods, 1760 – 1860. Pendragon Press 2010 (ISBN 978-1576471852) 210 p. NMH
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21. |
Stenstadvold, Erik. Étouffé o apagado: A qué se referían Sor y sus contemporáneos?. Roseta 2010 (5) p. 34-47 NMH
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2009
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22. |
Stenstadvold, Erik. ‘Compositores y editores en tiempos de Sor: ideales artísticos y realidades comerciales.’. Roseta 2009 (2) p. 6-21 NMH
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2008
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23. |
Stenstadvold, Erik. ‘Antoine de Lhoyer: The Complete Guitar Duos.’ Critical Edition, 3 vols. NMH
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2006
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24. |
Stenstadvold, Erik. ‘The Evolution of Guitar Notation, 1750-1830.’. Soundboard 2006 ;Volume 31.(2-3) p. 11-29 NMH
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