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Showing results 1-24 of 24

2018
1 Stenstadvold, Erik.
Long or short? The appoggiatura in the early 19th-century guitar tradition, with special reference to the music of Fernando Sor. Early Music 2018 ;Volume 46.(1) p. 87-101
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2017
2 Stenstadvold, Erik.
A Newly Discovered Letter of 1827 by Fernando Sor. Soundboard Scholar 2017 ;Volume 3.(3) p. 4-12
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3 Stenstadvold, Erik.
Mariano Castro de Gistau (d 1856) and the Vogue for the Spanish Guitar in Nineteenth-Century Britain. Nineteenth-Century Music Review 2017 ;Volume 16.(2) p. 177-197
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4 Stenstadvold, Erik.
Sor's Appogiaturas: Long or short?. Paper presentasjon; 2017-03-10 - 2017-03-12
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2016
5 Stenstadvold, Erik.
An unknown pupil of Fernando Sor: the life and career of Mariano Castro. Konferanse; 2016-04-09 - 2016-04-12
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2015
6 Stenstadvold, Erik.
Fernando Sor on the Move in the Early 1820s. Soundboard Scholar 2015 ;Volume 1.(1) p. 16-25
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7 Stenstadvold, Erik.
Why did Sor leave London? New light on his activities in 1822-23.. Paper presentasjon; 2015-05-01 - 2015-05-03
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2014
8 Stenstadvold, Erik.
"Ornamentation in Sor’s music: notation, interpretation, improvisation". Paper presentasjon; 2014-04-07 - 2014-04-09
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9 Stenstadvold, Erik.
"Why did Sor leave London?". Paper presentasjon; 2014-04-07 - 2014-04-09
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2013
10 Stenstadvold, Erik.
The struggle for recognition – the guitar and the prejudices of the musical establishment in the 19th century. Paper presentasjon; 2013-04-08 - 2013-04-10
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11 Stenstadvold, Erik.
‘We hate the guitar’: prejudice and polemic in the music press in early 19th-century Europe. Early Music 2013 ;Volume 41.(4) p. 595-604
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12 Stenstadvold, Erik; de Montiano, Luis Briso.
Salvador Castro de Gistau: Guitarist and Publisher. Paper presentasjon; 2013-04-05 - 2013-04-07
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2012
13 Stenstadvold, Erik.
"Salvador Castro - Guitarist and Publisher." (Work in Progress). The Second Cambridge Colloquium on the Guitar in the Early Nineteenth-Century; 2012-08-31 - 2012-09-02
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14 Stenstadvold, Erik.
“The Worst Drunkard in London” : The Life and Career of the Guitar Virtuoso Leonard Schulz. Soundboard 2012 ;Volume 38.(4) p. 11-17
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2011
15 Stenstadvold, Erik.
Leonard Schulz (1814 – 1860): A brief Survey of his Life and Presentation of his Studies for the Guitar. 3rd Lake Konstanz Guitar Research Meeting; 2011-04-01 - 2011-04-03
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16 Stenstadvold, Erik.
'Leonard Schulz 1814-1860: The Collected Guitar Studies' Edited, with a Preface and Commentary, by Erik Stenstadvold.
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17 Stenstadvold, Erik.
"Paris’ Role in the Rise of the Guitar 1750-1820". The First Cambridge Colloquium on the Guitar in the Early Nineteenth-Century; 2011-04-04 - 2011-04-05
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18 Stenstadvold, Erik.
‘The Earliest English Methods for the Spanish Guitar’. The First Cambridge Colloquium on the Guitar in the Early Nineteenth-Century; 2011-04-04 - 2011-04-05
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19 Stenstadvold, Erik.
The Role of Paris in the development of the Classical Guitar, 1750-1825. Seminar; 2011-01-24 - 2011-01-25
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2010
20 Stenstadvold, Erik.
An Annotated Bibliography of Guitar Methods, 1760 – 1860. Pendragon Press 2010 (ISBN 978-1576471852) 210 p.
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21 Stenstadvold, Erik.
Étouffé o apagado: A qué se referían Sor y sus contemporáneos?. Roseta 2010 (5) p. 34-47
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2009
22 Stenstadvold, Erik.
‘Compositores y editores en tiempos de Sor: ideales artísticos y realidades comerciales.’. Roseta 2009 (2) p. 6-21
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2008
23 Stenstadvold, Erik.
‘Antoine de Lhoyer: The Complete Guitar Duos.’ Critical Edition, 3 vols.
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2006
24 Stenstadvold, Erik.
‘The Evolution of Guitar Notation, 1750-1830.’. Soundboard 2006 ;Volume 31.(2-3) p. 11-29
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