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2024
1 Edwards, Peter.
Critical Composition, Creativity and Style in "Le Grand Macabre". I: Zwischen Apokalypse und Groteske György Ligeti: LE GRAND MACABRE. Edition text+kritik (et+k) 2024 ISBN 978-3-96707-846-6. s. 85-96
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2023
2 Edwards, Peter.
Blended Learning: "Body and Mind", a Circle U Collaboration. Circle U. Staff Training Week: From top down to bottom up – How to engage the whole university in Circle U.; 2023-05-22 - 2023-05-25
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3 Edwards, Peter.
Music of the Future and Sense-Making. Performing György Kurtág’s Fin de partie. The Aesthetics of Absence in Music of the Twenty-First Century; 2023-05-25 - 2023-05-26
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4 Edwards, Peter.
Musikk og opphavsrett. Seminar; 2023-10-11 - 2023-10-11
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5 Edwards, Peter.
Research Forum at the Opera: Bluebeard's Castle. Bluebeard and redstockings – Go deeper with researchers from the Universities of Oslo, Berkeley, and Chicago; 2023-01-19 - 2023-01-19
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6 Edwards, Peter.
Sakkyndig rapport og vitneforklaring. Borgarting Lagmannsrett (expert testimony and report: Court of Appeals). Rettsak; 2023-04-26 - 2023-04-26
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7 Edwards, Peter.
Talk and concert with asamisimasa. Aesthetics of Absence in Music of the 21st Century international conference; 2023-05-25 - 2023-05-26
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8 Edwards, Peter.
Tilleggskommentarer og oppsummering av sakkyndig rapport for høyesterett. : Høyesterett 2023 6 s.
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9 Edwards, Peter; Nielsen, Nanette.
Kunstmusikken lever! Også på Universitetet i Oslo. Scenekunst.no 2023
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10 Edwards, Peter; Sailer, Uta.
Death in Music and Music in Death: Reflections on Mortality and Listening in the Performances of Marino Formenti. I: Music and Death. Funeral Music, Memory and Re-Evaluating Life.. Boydell & Brewer 2023 ISBN 9781837650644. s. 155-169
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2022
11 Edwards, Peter.
Analysing the Concerto for Violin and Orchestra: Apparitions of the Past and Future. I: I Don’t Belong Anywhere: György Ligeti at 100. Brepols 2022 ISBN 978-2-503-60240-0. s. 93-109
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12 Edwards, Peter.
Frode Olsen – en karriere i sang. Scenekunst.no 2022
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13 Edwards, Peter.
Frode Olsen – om å synge Fin de partie. Scenekunst.no 2022
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14 Edwards, Peter.
György Ligeti’s Concerto for Violin and Orchestra: Conceiving Rhythm and Form by Association. Articulating Form; 2022-03-31 - 2022-04-01
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15 Edwards, Peter.
Marino Formenti and the transformative concert recital. Classical Music in Contemporary Media and Society; 2022-05-13 - 2022-05-15
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16 Edwards, Peter.
Musikkfaglig sakkyndig vitne rapport. Oslo tingrett og Borgarting lagmannsrett.. : https://lovdata.no/dokument/LBSIV/avgjorelse/lb-2022-26097?q= 2022
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17 Edwards, Peter.
Pønkebadet.
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2021
18 Edwards, Peter.
Ideology, Performance, and Ironic Distance in Musical Slapstick. I: Slapstick: An Interdisciplinary Companion. Walter de Gruyter (De Gruyter) 2021 ISBN 9783110570793. s. 37-52
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19 Edwards, Peter.
Levy, Benjamin R., Metamorphosis in Music: the Compositions of György Ligeti in the 1950s and 1960s (Oxford and New York: Oxford University Press, 2017). x + 304 pp. £59.00 (hb). ISBN 9780199381999.. Music Analysis 2021
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2020
20 Jensenius, Alexander Refsum; Danielsen, Anne; Edwards, Peter.
Vi trenger kort og godt mer automagi i Cristin. Uniforum 2020
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21 Jensenius, Alexander Refsum; Danielsen, Anne; Edwards, Peter.
Vi trenger kort og godt mer automagi i Cristin. Khrono.no 2020
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2019
22 Edwards, Peter.
Frahmtiden er ny-klassisk. Vårt Land [Avis] 2019-02-18
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23 Edwards, Peter.
Udo Zimmermann's Weiße Rose. VOEX-Festival 2019; 2019-05-25 - 2019-05-25
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24 Edwards, Peter.
VOeX Festival 2019. Seminar on 'the voice' in collaboration with the Norwegian Opera & Ballet; 2019-05-27 - 2019-05-27
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2018
25 Eriksen, Asbjørn Øfsthus; Edwards, Peter.
Musikk og humor. Faglig-pedagogisk dag på UiO; 2018-11-01
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26 Nielsen, Nanette; Aksnes, Hallgjerd; Edwards, Peter; Kvalbein, Astrid.
Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_. Introduction and moderation by Hallgjerd Aksnes, panel discussion including: Peter Edwards (University of Oslo), Peter Franklin (University of Oxford), Sarah Hibberd (University of Bristol), Astrid Kvalbein (NMH) and Aksel Tollåli (Oslo).. Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_; 2018-04-28 - 2018-04-28
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2017
27 Edwards, Peter.
Bartók, Ligeti and the Innovative Middle Road. I: György Ligeti's Cultural Identities. Routledge 2017 ISBN 978-1472473646. s. 149-162
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28 Edwards, Peter.
Expressive States in Theory and Practice: Spatially-Conceived Forms from East to West. Toru Takemitsu's November Steps. International Musicological Society, 20th Quinquennial Congress in Tokyo; 2017-03-19 - 2017-03-23
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2016
29 Edwards, Peter.
Dash against the quiet.
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30 Edwards, Peter.
Death and Process in Music of the Late Twentieth and Early Twenty-First Centuries. “In the Midst of Life we are in Death”: Death, Burial and the Afterlife in the Arts and Humanities; 2016-06-23 - 2016-06-25
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31 Edwards, Peter.
György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Routledge 2016 (ISBN 9781472456984) 166 s.
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32 Edwards, Peter.
’Leit-Characteristics’ and Expressive States in Ligeti’s Le Grand Macabre. Opera in the Age of its Digital Reproducibility; 2016-08-22 - 2016-08-22
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33 Edwards, Peter.
Musical Sketches in the late Twentieth Century: György Ligeti and the Creative Process. Sketches and Exercises: History and Theories of Compositional Writing; 2016-11-21 - 2016-11-22
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34 Edwards, Peter.
The Impossibility of the Return in Bernd Alois Zimmermann’s Musique pours les soupers du Roi Ubu. International Musicological Society Conference 2016: Music as Art, Artefact and Fact. Music Research in the 21st Century; 2016-07-01 - 2016-07-06
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35 Edwards, Peter.
The Performance of Orchestral Overload in the Music of Zimmermann and Nørgård. Style and Interpretation: Orchestral Performance Since 1900; 2016-10-24 - 2016-10-26
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2015
36 Edwards, Peter.
Convergences and Discord in the Correspondence between Ligeti and Adorno. Music & Letters 2015 ;Volum 96.(2) s. 228-258
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37 Edwards, Peter.
Musikkens historie og aktualitet: Et fag under fornyelse. Faglig-pedagogisk dag på Det humanistiske fakultet.; 2015-10-29 - 2015-10-29
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38 Edwards, Peter.
Remembrance and Prognosis in the Music of György Ligeti. I: Transformations of Musical Modernism. Cambridge University Press 2015 ISBN 9781107127210. s. 190-200
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39 Edwards, Peter.
Resisting Closure: The Passacaglia Finale from György Ligeti's Le Grand Macabre. Music Analysis 2015 s. -
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40 Edwards, Peter; Mattes, Arnulf Christian; Kvalbein, Astrid; Orning, Tanja.
Listening to the Twentieth Century. Nordic Musicological Congress 2015; 2015-08-11 - 2015-08-14
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2014
41 Dirdal, Linn Carin; Orning, Tanja; Edwards, Peter; Jensenius, Alexander Refsum.
– Lytting er et arbeid. Ballade [Internett] 2014-10-28
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42 Edwards, Peter.
Boulez Springar (performance Ultima 13.09.14).
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43 Edwards, Peter.
By the sound of its voice (10.10.2014).
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44 Edwards, Peter.
By the sound of its voice (13.10.2014).
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45 Edwards, Peter.
Ligeti and Adorno: The Letter Correspondence. Music, Marxism, and The Frankfurt School; 2014-07-02 - 2014-07-04
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46 Edwards, Peter.
Nye former for lytting, nye former for musikkforståelse. Planleggingsdag/fagdag (VGS Rogaland); 2014-11-07 - 2014-11-07
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47 Kildahl, Mari; Orning, Tanja; Edwards, Peter; Jensenius, Alexander Refsum.
Vi lytter ikke lenger som før. Forskning.no [Internett] 2014-06-05
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48 Kildahl, Mari; Orning, Tanja; Edwards, Peter; Jensenius, Alexander Refsum.
We no longer really listen to music. ScienceNordic [Internett] 2014-06-23
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2013
49 Edwards, Peter.
Apati og handling. Ballade 2013
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50 Edwards, Peter.
Gesture and the Poetics of Musical Modernism. Gesture: The Annual Conference of the Nordic Society of Aesthetics; 2013-05-31 - 2013-06-01
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