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1 Bromham, Gary; Moffat, David; Barthet, Mathieu; Danielsen, Anne; Fazekas, György.
The Impact of Audio Effects Processing on the Perception of Brightness and Warmth. I: AM'19: Proceedings of the 14th International Audio Mostly Conference: A Journey in Sound on ZZZ. Association for Computing Machinery (ACM) 2019 ISBN 9781450372978. s. 183-190
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2 Bromham, Gary; Moffat, David; Danielsen, Anne; Fazekas, György.
Digital Warmth: The Retro in Digital. Art of Record Production Conference 2019; 2019-05-17 - 2019-05-19
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3 Brøvig-Hanssen, Ragnhild.
Listening To or Through Technology: Opaque and Transparent Mediation. I: Critical Approaches to the Production of Music and Sound. Bloomsbury Academic 2018 ISBN 9781501332. s. 195-210
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4 Brøvig-Hanssen, Ragnhild.
Musical Fragmentation and Dual-Planed Temporality. InSync and Ritmo seminar; 2019-04-26 - 2019-04-26
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5 Brøvig-Hanssen, Ragnhild.
Playful Rhythms and Mosaic Flow. Muddy Rhythms and Broken Beats; 2020-02-04 - 2020-02-05
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6 Brøvig-Hanssen, Ragnhild.
Presentation of MASHED; TIME; and MusFrag. Instituttseminar; 2019-05-28 - 2019-05-28
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7 Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius.
Vocal Chops and it's aesthetics. Gløtt; 2019-11-29 - 2019-11-30
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8 Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius.
Vocal Chops and its Aesthetics. Art of Record Production 2019; 2019-05-17 - 2019-05-19
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9 Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius.
Vocal chops and Rhythm. Time Seminar; 2019-06-06 - 2019-06-06
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10 Brøvig-Hanssen, Ragnhild; Aareskjold, Jon Marius; Sandvik, Bjørnar.
EDM Producers' Reflections on Groove. Crosstown Traffic Conference 2018; 2018-09-02 - 2018-09-05
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11 Brøvig-Hanssen, Ragnhild; Danielsen, Anne.
Music Production: Recording Technology and Acousmatic Listening. I: The Routledge Companion to Music Cognition. Routledge 2017 ISBN 9781138721050.
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12 Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar.
Does Compression Influence Timing? A Case Study in EDM Music. Interacting in and with Music (Interact); 2017-10-11 - 2017-10-12
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13 Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar.
Dynamic Range Compression’s Influence on Perceived Timing. Art of Record Production Conference, Stockholm, Sweden; 2017-12-01 - 2017-12-03
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14 Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar.
Dynamic Range Compression’s Influence on Perceived Timing in EDM Music. Musikkteknologidagene; 2017-11-09 - 2017-11-11
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15 Brøvig-Hanssen, Ragnhild; Sandvik, Bjørnar.
Dynamic Range Processing’s Influence on Perceived Timing. TIME seminar; 2017-10-18 - 2017-10-18
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16 Brøvig-Hanssen, Ragnhild; Théberge, Paul; Lefford, Nyssim; Provenzano, Catherine; Williams, Alan.
Methodology Panel. Art of Record Production 2019; 2019-05-17 - 2019-05-19
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17 Câmara, Guilherme Schmidt.
Presentation of Mocap Component of Performance Experiments from the Timing and Sound in Musical Microrhythm (TIME) project. RITMO International Motion Capture Workshop; 2018-11-12 - 2018-11-14
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18 Câmara, Guilherme Schmidt.
Presentation of preliminary findings: Effects of Instructed Timing on Guitar and Bass Sound in Groove Performance. RITMO Roundtable Seminar Sessions; 2018-10-23 - 2018-10-23
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19 Câmara, Guilherme Schmidt; Danielsen, Anne.
Groove. I: The Oxford Handbook of Critical Concepts in Music Theory. Oxford University Press 2018 ISBN 9780190454746.
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20 Câmara, Guilherme Schmidt; Nymoen, Kristian; Danielsen, Anne.
Timing is Everything... Or is it? Part II: Effects of Instructed Timing Style and Timing Reference on Drum-Kit Sound in Groove Performance. 2019 biennial meeting of the Society for Music Perception and Cognition; 2019-08-05 - 2019-08-07
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21 Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier; Danielsen, Anne.
Effects of instructed timing on electric guitar and bass sound in groove performance. Journal of the Acoustical Society of America 2020 ;Volum 147.(2) s. 1028-1041
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22 Câmara, Guilherme Schmidt; Nymoen, Kristian; Lartillot, Olivier; Danielsen, Anne.
Timing is Everything... Or is it? Part I: Effects of Instructed Timing and Reference on Guitar and Bass Sound in Groove Performance. 17th Rhythm Production and Perception Workshop; 2019-06-17 - 2019-06-20
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23 Cederkvist, Vibeke; Brøvig-Hanssen, Ragnhild.
Musikkverdenen voksne ikke forstår. NRK.no [Internett] 2019-02-18
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24 Dahl, Sofia; Sioros, George.
Rhythmic recurrency in dance to music with ambiguous meter. 5th International Conference on Movement and Computing - MOCO '18; 2018-06-28 - 2018-06-30
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25 Dahl, Sofia; Sioros, George.
Rhythmic recurrency in dance to music with ambiguous meter. I: Proceedings of the 5th International Conference on Movement and Computing. ACM Publications 2018 ISBN 978-1-4503-6504-8.
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26 Danielsen, Anne.
Analysing Popular Music in the Digital Age. Future Present. Current Practices in Pop Music Studies; 2018-06-19 - 2018-06-20
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27 Danielsen, Anne.
Classic Album Sundays: Aretha Franklin (paneldeltakelse). Classic Album Sundays; 2019-01-13
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28 Danielsen, Anne.
Desktop production and groove. I: The Bloomsbury Handbook of Music Production. Bloomsbury Academic 2020 ISBN 9781501334047.
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29 Danielsen, Anne.
Digital Signatures. The Impact of Digitization on Popular Music Sound. Seminar, Royal College of Music, Stockholm; 2017-01-29
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30 Danielsen, Anne.
Experimental hip-hop and the meanings of glitched grooves. Society for American Music Conference 2017; 2017-03-23 - 2017-03-26
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31 Danielsen, Anne.
Exploring the Hu/Machine: Shaping beats in contemporary African-American popular music. Muddy Rhythms & Broken Beats; 2020-02-04 - 2020-02-05
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32 Danielsen, Anne.
Glitched and Warped: Shaping the “Beat Bin” in Contemporary African-American Popular Music. Society for Music Theory, 42nd Annual Meeting; 2019-11-07 - 2019-11-10
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33 Danielsen, Anne.
Glitched and Warped: Transformations of Rhythm in the Age of the Digital Audio Workstation. I: The Oxford Handbook of Sound and Imagination, Volume 2. Oxford University Press 2019 ISBN 9780190460242.
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34 Danielsen, Anne.
Hva er en sommerhit?. NRK P2, Studio 2 [Radio] 2018-06-07
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35 Danielsen, Anne.
Hvor er egentlig beatet? Rytme og timing i rytmisk musikk. Musikk, psykologi og hjernen; 2019-09-19
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36 Danielsen, Anne.
Intervju om Aretha Franklin i Dagsnytt, NRK 2. [TV] 2018-08-16
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37 Danielsen, Anne.
Intervju om Aretha Franklin til NTB. [Avis] 2018-08-16
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38 Danielsen, Anne.
Investigating the perception of sound-timing relationships in recorded (real) music. Research workshop on musical rhythm; 2016-09-23
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39 Danielsen, Anne.
Kvalitet i rytmisk musikk. Norsk kulturråds musikkseksjon, internt seminar; 2017-06-21
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40 Danielsen, Anne.
Methodologies in Record Production Research (Panel). Art of Record Production Conference 2017; 2017-12-01 - 2017-12-03
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41 Danielsen, Anne.
Microrhythms and Microsounds: The impact of digitization on African-American popular music. Crosstown Traffic: The Art of Record Production Conference 2018 (keynote); 2018-09-03 - 2018-09-05
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42 Danielsen, Anne.
Music, media and technological creativity in the digital age. Nordisk musikkpedagogisk forskning : Årbok 2018 ;Volum 18. s. 9-22
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43 Danielsen, Anne.
Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Låten". Musikklære, Nasjonalbiblioteket; 2017-10-11 - 2017-10-11
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44 Danielsen, Anne.
Paneldeltakelse i serien Musikklære på Nasjonalbiblioteket, tema "Rytme". Musikklære, Nasjonalbiblioteket; 2017-11-15
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45 Danielsen, Anne.
P-centres and beat bins - an introduction to the TIME project. TIME autumn seminar 2017; 2017-10-18 - 2017-10-18
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46 Danielsen, Anne.
Populærmusikk og mediering i den digitale tidsalder. Digitaliseringens logik; 2017-05-22
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47 Danielsen, Anne.
Pulse as Dynamic Attending: Analysing Beat Bin Metre in Neo Soul Grooves. I: The Routledge Companion to Popular Music Analysis: Expanding Approaches. Routledge 2018 ISBN 9781138683112.
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48 Danielsen, Anne.
Rhythm and Groove in African-American Popular Music. Doctoral Colloquium (Music), McGill University; 2017-03-27
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49 Danielsen, Anne.
Struktur og performativitet: mikrorytmikk i afroamerikansk populærmusikk. Svensk tidskrift för musikforskning 2017 ;Volum 99. s. 3-19
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50 Danielsen, Anne.
The Expanding Present (panel member). InSync closing colloquium, CAS; 2019-05-27 - 2019-05-29
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