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Showing results 1-12 of 12

2020
1 Størvold, Tore.
Musical aesthetics below ground: volcanic action and the geosocial in Sigur Rós’s “Brennisteinn”. Journal of Aesthetics and Culture 2020 ;Volume 12.(1)
UiO Untitled
 
2 Størvold, Tore.
Sounds Icelandic. Edited By Þorbjörg Daphne Hall, Nicola Dibben, Árni Heimir Ingólfsson and Tony Mitchell. Sheffield: Equinox, 2019. 233 pp. ISBN 13 978 1 78179 145 5. Popular Music 2020 ;Volume 39.(2) p. 363-366
NTNU Untitled
 
2019
3 Devine, Kyle; Kraugerud, Emil; Jones, Ellis Nathaniel; Størvold, Tore.
First Things First.
UiO Untitled
 
4 Hawkins, Stan; Størvold, Tore.
Justin Timberlake's "Man of the Woods": Lumbersexuality, Nature, and Larking Around. I: The Bloomsbury Handbook of Popular Music Video Analysis. Bloomsbury Academic 2019 ISBN 978-1-5013-4233-2. p. 317-336
UIA UiO Untitled
 
5 Jones, Ellis Nathaniel; Kraugerud, Emil; Størvold, Tore; Devine, Kyle.
Dragging the Lake.
UiO Untitled
 
6 Størvold, Tore.
Dissonant Landscapes: Nature and the Musical Imagination of Iceland. Oslo: Oslo 07-Media 2019 216 p.
UiO Untitled
 
2018
7 Størvold, Tore.
Music and the Kárahnjúkar Hydropower Plant: Style, Aesthetics, and Environmental Politics in Iceland. Popular music and society 2018
UiO Untitled
 
8 Størvold, Tore.
Sigur Ros: Reception, borealism, and musical style. Popular Music 2018 ;Volume 37.(3) p. 371-391
UiO Untitled
 
2017
9 Størvold, Tore.
Performing Dreamland: Musical Responses to Environmental Debate in Contemporary Iceland. Global Challenges - Nordic Experiences; 2017-03-20 - 2017-03-21
UiO Untitled
 
10 Størvold, Tore.
Performing Dreamland: Valgeir Sigurðsson’s “Grýlukvæði” in the Context of Environmental Debate in Contemporary Iceland. 21st Annual Symposium for Music Scholars in Finland; 2017-04-19 - 2017-04-21
UiO Untitled
 
11 Størvold, Tore.
Sonic Cartography: Record Production and Geographic Space in Ólafur Arnalds' Island Songs. The 12th Art of Record Production Conference; 2017-12-01 - 2017-12-03
UiO Untitled
 
2016
12 Størvold, Tore.
Beats, Strings and Volcanic Things: Cross-genre Musical Practices in the Independent Music Scene in Reykjavík, Iceland. Norges teknisk-naturvitenskapelige universitet 2016 124 p.
NTNU UiO Untitled