2023
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1. |
Bucciarelli, Melania. «Un soggetto con sei donne, pensando in tal guisa d’incontrar forse più facilmente il tuo genio». Presenze femminili al teatro Sant’Angelo durante i primi anni della gestione Vivaldi. Il Teatro Sant'Angelo ai tempi di Antonio Vivaldi / The Sant'Angelo Theatre at the time of Antonio Vivaldi; 2023-11-16 - 2023-11-18 NTNU
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2. |
Bucciarelli, Melania. WoVen: Le donne, l'opera e la scena pubblica nella Venezia del Settecento. Musicologia oggi (Musicology Today); 2023-06-14 - 2023-06-14 NTNU
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2021
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3. |
Bucciarelli, Melania. Il gioco delle parti: Personaggi e interpreti dell’Engelberta veneziana. 'Ombre romite, taciti orrori'. Convegno internazionale di studi in occasione della prima esecuzione in tempi moderni di Engelberta (Venezia, 1708); 2021-10-15 - 2021-10-17 NTNU
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4. |
Bucciarelli, Melania. Italian Singers on the Move: Networks, Social Support, and Contact with the Native Land during Senesino’s London Years. I: Mapping Artistic Networks: Eighteenth-Century Italian Theatre and Opera Across Europe. Brepols 2021 ISBN 978-2-503-58495-9. p. 27-40 NTNU
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5. |
Bucciarelli, Melania. Kvinner, opera og den offentlege scena i Venezia på 1700-tallet. Musikk & Historie 2021 ;Volume 4. p. 64-70 NTNU
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6. |
Bucciarelli, Melania. The WoVen project and the castrato. Castrato Singers in Opera: The Current State of Research; 2021-10-21 - 2021-10-24 NTNU
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7. |
Bucciarelli, Melania; Butler, Margaret. Women on Stage in Eighteenth-Century Venice: A New Research Collaborative. Society for Eighteenth-Century Music Newsletter 2021 ;Volume 38. p. 1; 11-12 NTNU
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2019
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8. |
Bucciarelli, Melania. La Collana 'Drammaturgia Musicale Veneta', in: Lettera da San Giorgio, 40 (2019), 21-25. NTNU
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9. |
Bucciarelli, Melania. “‘lo sistema antico ch’ei sempre propone per mostrare che quanto si fa è il medesimo ch’era prima’. Negotiating practices on the London Stage during the early years of the Royal Academy of Music”.. Mapping Artistic Networks of Italian Theatre and Opera across Europe: 1600-1800; 2019-04-11 - 2019-04-12 NTNU
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10. |
Bucciarelli, Melania. “Travelling North of the Alps: Senesino’s career from Italy to Dresden and London”. Music, Performing Arts and Artists in the North: The French and Italian Diasporas (1600-1900); 2019-01-29 - 2019-01-30 NTNU
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2018
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11. |
Bucciarelli, Melania. "Knowing voices we cannot hear". Knowing Music – Musical Knowing: Cross disciplinary dialogue on epistemologies. International Music Research School 2018; 2018-10-23 - 2018-10-26 NTNU
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2017
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12. |
Bucciarelli, Melania. 'Farò il possibile per vincer l’animo di M.r Handel': Senesino’s arrival in London and Arsace’s rhetoric of passions. Eighteenth-Century Music 2017 ;Volume 14.(1) p. 53-87 NTNU
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2015
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13. |
Bucciarelli, Melania. A Clash of Interests? Writing for Senesino on the London Stage. Händel und seine Interpreten / Handel and His Interpreters. Internationale Wissenschaftliche Konferenz zu den Händel-Festspielen in Halle (Saale); 2015-06-08 - 2015-06-10 NTNU
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14. |
Bucciarelli, Melania. Senesino's negotiations with the Royal Academy of Music: further insight into the Riva-Bernardi correspondence and the role of singers in the practice of eighteenth-century opera. Cambridge Opera Journal 2015 ;Volume 27.(3) p. 189-213 NTNU
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2014
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15. |
Bucciarelli, Melania. David Hansen. Kronjuvelen. Dagens Næringsliv [Newspaper] 2014-02-01 NTNU
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16. |
Bucciarelli, Melania. Farinelli and his brothers: Castrati in eighteenth-century Europe. Senter for Tidligmusikk Barokkfest 2014; 2014-02-01 NTNU
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17. |
Bucciarelli, Melania. Farò il possibile per vincer l’animo di M.r Handel” (I will do my best to win over M.r Handel’s heart): Arsace (1721) and Senesino’s arrival in London. Royal Musical Association 50th annual conference; 2014-09-04 - 2014-09-06 NTNU
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2012
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18. |
Bucciarelli, Melania. Luigi Nono, Intolleranza 1960. I: Grafia musicale e segno pittorico nell’avangurdia italiana (1950-1970). Rome: De Luca Editori d’Arte 2012 ISBN 978-88-6557-112-5. NTNU
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19. |
Bucciarelli, Melania. Luigi Nono, Omaggio a Emilio Vedova. I: Grafia musicale e segno pittorico nell’avangurdia italiana (1950-1970). Rome: De Luca Editori d’Arte 2012 ISBN 978-88-6557-112-5. NTNU
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20. |
Bucciarelli, Melania. Niccolò Castiglioni, Tre Misteri. I: Grafia musicale e segno pittorico nell’avangurdia italiana (1950-1970). Rome: De Luca Editori d’Arte 2012 ISBN 978-88-6557-112-5. NTNU
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21. |
Bucciarelli, Melania. Senesino: An Italian Castrato in Dresden, 1717-1720. Symposium Italienischer Music in Deutschland und Frankreich - Diagonale und Parallelen; 2012-10-26 - 2012-10-28 NTNU
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2010
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22. |
Bucciarelli, Melania. From Rinaldo to Orlando, or Senesino's Path to Madness. I: Handel. Ashgate 2010 ISBN 978-0-7546-2885-9. p. - NTNU
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23. |
Bucciarelli, Melania. Spinalba, opera buffa and the tradition of commedia dell’arte. Day Study on Spinalba; 2010-10-24 NTNU
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2009
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24. |
Bucciarelli, Melania. Eleanor Selfridge Field, The Calendar of Venetian Opera: A New Chronology of Venetian Opera and Related Genres, 1660-1760, Stanford University Press: Stanford, 2007). Eighteenth-Century Music 2009 ;Volume 6.(1) p. 126-128 NTNU
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25. |
Bucciarelli, Melania. Francesco Nicola Haym. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920. NTNU
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26. |
Bucciarelli, Melania. From Rinaldo to Orlando, or Senesino's Path to Madness. I: D'une scène à l'autre. L'opéra italien en Europe. Bruxelles: Editions Mardaga 2009 ISBN 9782870099926. p. 135-155 NTNU
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27. |
Bucciarelli, Melania. Giovanni Bononcini. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920. NTNU
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28. |
Bucciarelli, Melania. Giovanni Bononcini, Griselda. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920. NTNU
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29. |
Bucciarelli, Melania. Ludovico Ariosto. I: Cambridge Handel Enciclopedia. Cambridge University Press 2009 ISBN 9780521881920. NTNU
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2008
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30. |
Bucciarelli, Melania. Armida’s Mirror: Literary (and non-literary) motifs in Vivaldi’s Armida al campo d’Egitto (Venice, 1718). New Directions in Musical Research Series; 2008-04-24 NTNU
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31. |
Bucciarelli, Melania. Classical Tragedy in the Italian Manner: The Case of Polidoro. I: Italian Opera in Central Europe, vol. 2: Italianità: Image and Practice in Central European Opera in the 17th and 18th Centuries. BWV - Berliner Wissenschafts-Verlag 2008 ISBN 978-3-8305-1537-1. p. 55-68 NTNU
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32. |
Bucciarelli, Melania. Taming the Exotic: Vivaldi’s Armida al campo d’Egitto. I: Vivaldi, “Motezuma” and the Opera Seria: Essays on a Newly Discovered Work and Its Background. Brepols 2008 ISBN 978-2503527802. p. 81-102 NTNU
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2007
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33. |
Bucciarelli, Melania. Echi tassiani e rappresentazioni dell'Oriente al Teatro S. Angelo di Venezia. I: Le arti della scena e l'esotismo in età moderna. Naples: Turchini Edizioni 2007 ISBN 88-89491-02-7. p. 217-233 NTNU
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34. |
Bucciarelli, Melania. From Venice to London: On the Trail of Luigi Riccoboni and Italian Opera. I: Italian Opera in Central Europe, vol. 3: Opera subjects and European Relationships. BWV - Berliner Wissenschafts-Verlag 2007 ISBN 978-3-8305-1430-5. p. 233-249 NTNU
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35. |
Bucciarelli, Melania. Soggetti, storie e immagini nell’opera veneziana al tempo di Antonio Vivaldi. Conference Istituto Antonio Vivaldi; 2007-06-13 - 2007-06-16 NTNU
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36. |
Bucciarelli, Melania. Venice and the East: Operatic Readings of Tasso’s Armida in early Eighteenth-Century Venice. I: Music as Social and Cultural Practice. Boydell & Brewer 2007 ISBN 9781843833178. p. 232-249 NTNU
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37. |
Bucciarelli, Melania; Joncus, Berta. Music as Social and Cultural Practice. Boydell & Brewer 2007 (ISBN 9781843833178) 464 p. NTNU
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2006
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38. |
Bucciarelli, Melania. From Rinaldo to Orlando, or Senesino's path to madness. Public Lectures Series, Foundling Museum; 2006-06-21 NTNU
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39. |
Bucciarelli, Melania. Singers, Voices and Props: How should we ‘do’ Handel opera?. Bloomsbury Festival, School of Advanced Studies, Debates series; 2006-10-22 NTNU
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40. |
Bucciarelli, Melania; Dubowy, Norbert; Strohm, Reinhard. Italian Opera in Central Europe, 1614-c.1780, vol. 1: Institutions and Ceremonies. BWV - Berliner Wissenschafts-Verlag 2006 (ISBN 978-3-8305-0381-1) 329 p. NTNU
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2005
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41. |
Bucciarelli, Melania. Conference Report: Le arti della scena e l'esotismo in età moderna (Naples, 6-9 May 2004). Eighteenth-Century Music 2005 ;Volume 2.(2) p. 185-188 NTNU
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42. |
Bucciarelli, Melania. Venice and the East: Exotic Motives in Early Eighteenth-Century Opera. Symposium on Motezuma, Vivaldi and Opera Seria; 2005-06-11 - 2005-06-12 NTNU
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2004
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43. |
Bucciarelli, Melania. Echi tassiani e rappresentazioni dell'Oriente al Teatro S. Angelo di Venezia. International conference Le arti della scena e l'esotismo in età moderna; 2004-05-06 - 2004-05-09 NTNU
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44. |
Bucciarelli, Melania. From Rinaldo to Orlando, or Senesino's path to madness. Symposium Italian Voices and European Practice; 2004-08-28 - 2004-08-30 NTNU
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45. |
Bucciarelli, Melania. Opera, Politics and Intertextuality. Postgraduate Seminars; 2004-11-08 NTNU
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2003
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46. |
Bucciarelli, Melania. "Parto o bella, ma con qual cuore…". Riflessioni sulla drammaturgia del dramma per musica e il suo rapporto con l'arte comica. I: Commedia dell'Arte e Spettacolo in musica tra Sei e Settecento. Naples: Editoriale Scientifica 2003 ISBN 88-88321-57-8. p. 237-252 NTNU
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2001
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47. |
Bucciarelli, Melania. From Venice to London: On the Trail of Luigi Riccoboni and Italian Opera. European Science Foundation International Conference Opera subjects and European Relationships; 2001-10-12 - 2001-10-14 NTNU
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48. |
Bucciarelli, Melania. From Venice to London: On the Trail of Luigi Riccoboni and Italian Opera. Words and music: a symposium on Eighteenth-century Italian opera in memory of Giovanna Gronda; 2001-02-23 NTNU
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49. |
Bucciarelli, Melania. Parto o bella, ma con qual cuore…: Riflessioni sulla drammaturgia del dramma per musica e il suo rapporto con l'arte comica. International conference Commedia dell'Arte e Spettacolo in musica tra Sei e Settecento; 2001-09-28 - 2001-09-29 NTNU
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2000
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50. |
Bucciarelli, Melania. Classical Tragedy in the Italian Manner: The Case of Polidoro. European Science Foundation International Conference Italianità: Image and Practice in Central European Opera in the Seventeenth and Eighteenth Centur; 2000-09-22 - 2000-09-24 NTNU
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