2024
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1. |
Edwards, Peter. Critical Composition, Creativity and Style in "Le Grand Macabre". I: Zwischen Apokalypse und Groteske György Ligeti: LE GRAND MACABRE. Edition text+kritik (et+k) 2024 ISBN 978-3-96707-846-6. s. 85-96 UiO
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2023
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2. |
Edwards, Peter. Blended Learning: "Body and Mind", a Circle U Collaboration. Circle U. Staff Training Week: From top down to bottom up – How to engage the whole university in Circle U.; 2023-05-22 - 2023-05-25 UiO
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3. |
Edwards, Peter. Music of the Future and Sense-Making. Performing György Kurtág’s Fin de partie. The Aesthetics of Absence in Music of the Twenty-First Century; 2023-05-25 - 2023-05-26 UiO
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4. |
Edwards, Peter. Musikk og opphavsrett. Seminar; 2023-10-11 - 2023-10-11 UiO
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5. |
Edwards, Peter. Research Forum at the Opera: Bluebeard's Castle. Bluebeard and redstockings – Go deeper with researchers from the Universities of Oslo, Berkeley, and Chicago; 2023-01-19 - 2023-01-19 UiO
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6. |
Edwards, Peter. Sakkyndig rapport og vitneforklaring. Borgarting Lagmannsrett (expert testimony and report: Court of Appeals). Rettsak; 2023-04-26 - 2023-04-26 UiO
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7. |
Edwards, Peter. Talk and concert with asamisimasa. Aesthetics of Absence in Music of the 21st Century international conference; 2023-05-25 - 2023-05-26 UiO
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8. |
Edwards, Peter. Tilleggskommentarer og oppsummering av sakkyndig rapport for høyesterett. : Høyesterett 2023 6 s. UiO
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9. |
Edwards, Peter; Nielsen, Nanette. Kunstmusikken lever! Også på Universitetet i Oslo. Scenekunst.no 2023 UiO
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10. |
Edwards, Peter; Sailer, Uta. Death in Music and Music in Death: Reflections on Mortality and Listening in the Performances of Marino Formenti. I: Music and Death. Funeral Music, Memory and Re-Evaluating Life.. Boydell & Brewer 2023 ISBN 9781837650644. s. 155-169 UiO
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2022
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11. |
Edwards, Peter. Analysing the Concerto for Violin and Orchestra: Apparitions of the Past and Future. I: I Don’t Belong Anywhere: György Ligeti at 100. Brepols 2022 ISBN 978-2-503-60240-0. s. 93-109 UiO
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12. |
Edwards, Peter. Frode Olsen – en karriere i sang. Scenekunst.no 2022 UiO
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13. |
Edwards, Peter. Frode Olsen – om å synge Fin de partie. Scenekunst.no 2022 UiO
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14. |
Edwards, Peter. György Ligeti’s Concerto for Violin and Orchestra: Conceiving Rhythm and Form by Association. Articulating Form; 2022-03-31 - 2022-04-01 UiO
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15. |
Edwards, Peter. Marino Formenti and the transformative concert recital. Classical Music in Contemporary Media and Society; 2022-05-13 - 2022-05-15 UiO
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16. |
Edwards, Peter. Musikkfaglig sakkyndig vitne rapport. Oslo tingrett og Borgarting lagmannsrett.. : https://lovdata.no/dokument/LBSIV/avgjorelse/lb-2022-26097?q= 2022 UiO
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17. |
Edwards, Peter. Pønkebadet. UiO
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2021
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18. |
Edwards, Peter. Ideology, Performance, and Ironic Distance in Musical Slapstick. I: Slapstick: An Interdisciplinary Companion. Walter de Gruyter (De Gruyter) 2021 ISBN 9783110570793. s. 37-52 UiO
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19. |
Edwards, Peter. Levy, Benjamin R., Metamorphosis in Music: the Compositions of György Ligeti in the 1950s and 1960s (Oxford and New York: Oxford University Press, 2017). x + 304 pp. £59.00 (hb). ISBN 9780199381999.. Music Analysis 2021 UiO
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2020
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20. |
Jensenius, Alexander Refsum; Danielsen, Anne; Edwards, Peter. Vi trenger kort og godt mer automagi i Cristin. Uniforum 2020 UiO
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21. |
Jensenius, Alexander Refsum; Danielsen, Anne; Edwards, Peter. Vi trenger kort og godt mer automagi i Cristin. Khrono.no 2020 UiO
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2019
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22. |
Edwards, Peter. Frahmtiden er ny-klassisk. Vårt Land [Avis] 2019-02-18 UiO
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23. |
Edwards, Peter. Udo Zimmermann's Weiße Rose. VOEX-Festival 2019; 2019-05-25 - 2019-05-25 UiO
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24. |
Edwards, Peter. VOeX Festival 2019. Seminar on 'the voice' in collaboration with the Norwegian Opera & Ballet; 2019-05-27 - 2019-05-27 UiO
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2018
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25. |
Eriksen, Asbjørn Øfsthus; Edwards, Peter. Musikk og humor. Faglig-pedagogisk dag på UiO; 2018-11-01 UiO
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26. |
Nielsen, Nanette; Aksnes, Hallgjerd; Edwards, Peter; Kvalbein, Astrid. Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_. Introduction and moderation by Hallgjerd Aksnes, panel discussion including: Peter Edwards (University of Oslo), Peter Franklin (University of Oxford), Sarah Hibberd (University of Bristol), Astrid Kvalbein (NMH) and Aksel Tollåli (Oslo).. Launch for Nanette Nielsen’s book _Paul Bekker’s Musical Ethics_; 2018-04-28 - 2018-04-28 UiO NMH
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2017
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27. |
Edwards, Peter. Bartók, Ligeti and the Innovative Middle Road. I: György Ligeti's Cultural Identities. Routledge 2017 ISBN 978-1472473646. s. 149-162 UiO
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28. |
Edwards, Peter. Expressive States in Theory and Practice: Spatially-Conceived Forms from East to West. Toru Takemitsu's November Steps. International Musicological Society, 20th Quinquennial Congress in Tokyo; 2017-03-19 - 2017-03-23 UiO
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2016
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29. |
Edwards, Peter. Dash against the quiet. UiO
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30. |
Edwards, Peter. Death and Process in Music of the Late Twentieth and Early Twenty-First Centuries. “In the Midst of Life we are in Death”: Death, Burial and the Afterlife in the Arts and Humanities; 2016-06-23 - 2016-06-25 UiO
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31. |
Edwards, Peter. György Ligeti's Le Grand Macabre: Postmodernism, Musico-Dramatic Form and the Grotesque. Routledge 2016 (ISBN 9781472456984) 166 s. UiO
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32. |
Edwards, Peter. ’Leit-Characteristics’ and Expressive States in Ligeti’s Le Grand Macabre. Opera in the Age of its Digital Reproducibility; 2016-08-22 - 2016-08-22 UiO
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33. |
Edwards, Peter. Musical Sketches in the late Twentieth Century: György Ligeti and the Creative Process. Sketches and Exercises: History and Theories of Compositional Writing; 2016-11-21 - 2016-11-22 UiO
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34. |
Edwards, Peter. The Impossibility of the Return in Bernd Alois Zimmermann’s Musique pours les soupers du Roi Ubu. International Musicological Society Conference 2016: Music as Art, Artefact and Fact. Music Research in the 21st Century; 2016-07-01 - 2016-07-06 UiO
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35. |
Edwards, Peter. The Performance of Orchestral Overload in the Music of Zimmermann and Nørgård. Style and Interpretation: Orchestral Performance Since 1900; 2016-10-24 - 2016-10-26 UiO
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2015
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36. |
Edwards, Peter. Convergences and Discord in the Correspondence between Ligeti and Adorno. Music & Letters 2015 ;Volum 96.(2) s. 228-258 UiO
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37. |
Edwards, Peter. Musikkens historie og aktualitet: Et fag under fornyelse. Faglig-pedagogisk dag på Det humanistiske fakultet.; 2015-10-29 - 2015-10-29 UiO
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38. |
Edwards, Peter. Remembrance and Prognosis in the Music of György Ligeti. I: Transformations of Musical Modernism. Cambridge University Press 2015 ISBN 9781107127210. s. 190-200 UiO
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39. |
Edwards, Peter. Resisting Closure: The Passacaglia Finale from György Ligeti's Le Grand Macabre. Music Analysis 2015 s. - UiO
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40. |
Edwards, Peter; Mattes, Arnulf Christian; Kvalbein, Astrid; Orning, Tanja. Listening to the Twentieth Century. Nordic Musicological Congress 2015; 2015-08-11 - 2015-08-14 NMH UiO
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2014
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41. |
Dirdal, Linn Carin; Orning, Tanja; Edwards, Peter; Jensenius, Alexander Refsum. – Lytting er et arbeid. Ballade [Internett] 2014-10-28 NMH UiO
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42. |
Edwards, Peter. Boulez Springar (performance Ultima 13.09.14). UiO
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43. |
Edwards, Peter. By the sound of its voice (10.10.2014). UiO
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44. |
Edwards, Peter. By the sound of its voice (13.10.2014). UiO
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45. |
Edwards, Peter. Ligeti and Adorno: The Letter Correspondence. Music, Marxism, and The Frankfurt School; 2014-07-02 - 2014-07-04 UiO
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46. |
Edwards, Peter. Nye former for lytting, nye former for musikkforståelse. Planleggingsdag/fagdag (VGS Rogaland); 2014-11-07 - 2014-11-07 UiO
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47. |
Kildahl, Mari; Orning, Tanja; Edwards, Peter; Jensenius, Alexander Refsum. Vi lytter ikke lenger som før. Forskning.no [Internett] 2014-06-05 NMH UiO
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48. |
Kildahl, Mari; Orning, Tanja; Edwards, Peter; Jensenius, Alexander Refsum. We no longer really listen to music. ScienceNordic [Internett] 2014-06-23 NMH UiO
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2013
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49. |
Edwards, Peter. Apati og handling. Ballade 2013 UiO
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50. |
Edwards, Peter. Gesture and the Poetics of Musical Modernism. Gesture: The Annual Conference of the Nordic Society of Aesthetics; 2013-05-31 - 2013-06-01 UiO
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