2019
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1. |
Halmrast, Tor. A VERY SIMPLE WAY TO SIMULATE THE TIMBRE OF FLUTTER ECHOES IN SPATIAL AUDIO. EAA-SASP Spatial Audio SignalProcessing Symp. IRCAM, Paris; 2019-09-06 - 2019-09-07 UiO
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2. |
Halmrast, Tor. Cepstrum for Rhythm Detection. IMV/Ritmo/SAMA; 2019-11-06 - 2019-11-06 UiO
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3. |
Halmrast, Tor. FLUTR. UiO
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4. |
Halmrast, Tor. FLUTR for 24 ch Audio (4 quadro + 20 Ambisonics loudspeakers). UiO
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5. |
Halmrast, Tor. Oslo I Smug-trioen. UiO
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6. |
Halmrast, Tor. Reverberation Influences the Attack. ISRA International Symposium on Room Acoustics; 2019-09-15 - 2019-09-17 UiO
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7. |
Halmrast, Tor. THE TIMBRE OF FLUTTER ECHOES, AND THE COMPOSITION “FLUTR”. ICMC Int.Computer Music Journal; 2019-06-16 - 2019-06-23 UiO
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8. |
Halmrast, Tor. Timbre and Duration of Attack Depend on the Amount of Reverberation. ISMA2019 Int. Symp. on Musical Acoustics; 2019-09-13 - 2019-09-17 UiO
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2018
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9. |
Halmrast, Tor. Akustikk for Pianostemmere. NMH; 2018-09-01 - 2018-12-01 UiO
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10. |
Halmrast, Tor. Attack the Attack. Proceedings of the Institute of Acoustics 2018 ;Volume 40.(3) p. 335-346 UiO
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11. |
Halmrast, Tor. Basstanker i små rom. Norsk Akustisk Selskap; 2018-10-26 - 2018-10-27 UiO
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12. |
Halmrast, Tor. Div. Komposisjone: "Jeg Ser", "Bytrærne". UiO
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13. |
Halmrast, Tor. Sound Theory for Master Students, Electroacoustic Music, Norges Musikkhøgskole. NMH; 2018-01-10 - 2018-02-01 UiO
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2017
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14. |
Halmrast, Tor. ACOUSTICS IN BETWEEN: PERCEPTION OF SOUND IN ROOMS BEYOND STANDARD CRITERIA. Proceedings of the Institute of Acoustics 2017 ;Volume 6. p. 4177-4184 UiO
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15. |
Halmrast, Tor. ANALYSIS OF MUSIC PERFORMED IN DIFFERENT ACOUSTIC SETTINGS IN STAVANGER CONCERT HALL. Proceedings of the Institute of Acoustics 2017 ;Volume 6. p. 4169-4176 UiO
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16. |
Halmrast, Tor. Kjellerband Blues for Storband. UiO
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17. |
Halmrast, Tor. Sam Phillips´ Slap BAck Echo; Happily in Mono. Art of Record Production Conference; 2017-12-01 - 2017-12-03 UiO
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18. |
Halmrast, Tor. Slap Back Echo. Norsk Akustisk Selskap; 2017-11-03 - 2017-11-04 UiO
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19. |
Halmrast, Tor. Sound Theory for Master. Lecture; 2017-12-03 - 2017-12-06 UiO
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20. |
Halmrast, Tor. TØMMERMENN musikal. UiO
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2016
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21. |
Halmrast, Tor. Analyse av musikk framført i forskjellige akustiske innstillinger i Stavanger Konserthus. Norsk Akustisk Selskap; 2016-10-27 UiO
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22. |
Halmrast, Tor. Aqueduct. UiO
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23. |
Halmrast, Tor. Aqueduct framført Paris. UiO
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24. |
Halmrast, Tor. Room shape Music. Music shapes Rooms. Int. Musicology Society; 2016-07-01 - 2016-07-04 UiO
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2015
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25. |
Halmrast, Tor. “AKUSTISK FORSKNING, i(nni) mellom”. Norsk Akustisk Selskap; 2015-09-23 - 2015-09-25 UiO
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26. |
Halmrast, Tor. Flutter echoes: Timbre and possible use as sound effect. Proceedings of the International Conference on Digital Audio Effects 2015 ;Volume 2015. p. - UiO
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27. |
Halmrast, Tor. How Musicians adapt to the Room. TIMBRE and Strength in Music Rehearsal. Nordic Musicology Congress; 2015-12-11 UiO
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28. |
Halmrast, Tor. "Jeg Ser" for tenor og ensemble (tekst: Obstfelder). [Artistic or museum-related presentation] Basteviken Musikkfestival, Koster. Basteviken; Koster. 2015-12-01 UiO
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29. |
Halmrast, Tor. "KLANGEN". IMV/UiO Forskerforum; 2015-03-06 UiO
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30. |
Halmrast, Tor. Perception of Sound in Rooms Beyond Standard Criteria. Psychomusicology: Music, Mind & Brain 2015 ;Volume 25.(3) p. 256-271 UiO
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31. |
Halmrast, Tor. TIMBRE. UiO/IMV/4Ms; 2015-05-12 UiO
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32. |
Halmrast, Tor. Why do flutter echoes "always" end up around 1-2 kHz?. Proceedings of the Institute of Acoustics 2015 ;Volume 37.(3) p. 395-408 UiO
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2014
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33. |
Halmrast, Tor. "Acoustics in Between". Psychomusicology: Music, Mind & Brain 2014 UiO
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34. |
Halmrast, Tor. "En antikvarisk korrekt absorbent". Norsk Akustisk Selskap; 2014-10-02 UiO
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35. |
Halmrast, Tor. "Musician´s perceived Timbre and Strength in (too) small Rooms". Forum Acusticum 2014; 2014-08-03 UiO
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36. |
Halmrast, Tor. Musician's perceived timbre and strength in (too) small rooms. Forum Acusticum 2014 ;Volume 2014.(January) UiO
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37. |
Halmrast, Tor. "Musician's Timbre and Strength in (too) small Rooms". Forum Acusticum 2014 p. - UiO
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38. |
Halmrast, Tor. "Tør Du?" (tekst A.Prøysen). UiO
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39. |
Halmrast, Tor. "When Source is also Receiver". Building Acoustics 2014 ;Volume 20.(4) p. 403-421 UiO
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40. |
Halmrast, Tor. "When Source is also Receiver2". Baltic-Nordic Acoustics Meeting; 2014-06-02 UiO
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2013
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41. |
Halmrast, Tor. ETTAN/TO´AN for storband.Urframføring april 2013 Tr.h. UiO
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42. |
Halmrast, Tor. Norsk Standard "Akustikk i Musikkrom" Arbeidsgruppe. UiO
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2012
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43. |
Halmrast, Tor. Bylyder Foredrag (Lydlandskap). Bjørvika Utvikling; 2012-11-01 - 2012-11-01 UiO
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44. |
Halmrast, Tor. Historien om Kammertonen. Norsk Akustisk Selskap; 2012-11-03 - 2012-11-05 UiO
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45. |
Halmrast, Tor. Musikkakustikk for Noroff. Forelesning; 2012-01-01 - 2012-01-01 UiO
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46. |
Halmrast, Tor. Some Projects in Scandinavia ISBN 978-87-995400-0-6. Baltic Nordic Acoustic meeting; 2012-06-01 - 2012-06-05 UiO
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47. |
Halmrast, Tor. The History of Standard Tuning Frequency. ISO Focus+ 2012 ;Volume 3.(10) p. 25-27 UiO
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2011
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48. |
Halmrast, Tor. Listen to the listed. Baltic Nordic Acoustic Meetingtic Society; 2011-01-01 - 2011-01-01 UiO
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49. |
Halmrast, Tor. More Combs. Forum Acusticum 2011, ISSN 2221-3767. Forum Acusticum 2011 EAA; 2011-06-27 - 2011-07-01 UiO
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50. |
Halmrast, Tor. "T60" Symposium Heldag Musikkakustikk Initiativtaker. Symposium; 2011-04-29 - 2011-04-29 UiO
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