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Viser treff 1-14 av 14

2019
1 Fee, Annie.
Film-tiåret 2010–2019. Vårt Land [Avis] 2019-12-27
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2 Fee, Annie.
Paris Looks to the North: Swedish Silent Film and the Emergence of Cinephilia. I: Nordic film cultures and cinemas of elsewhere. Edinburgh University Press 2019 ISBN 9781474438056. s. 207-223
UiO Untitled
 
2018
3 Fee, Annie.
Blossoms Breaking at the Dawn of Cinephilia: The Reception of D.W. Griffith in France. I: A Companion to D. W. Griffith. Wiley-Blackwell 2018 ISBN 978-1-118-34121-6. s. 510-532
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2017
4 Fee, Anna.
Les Midinettes Révolutionnaires: The Activist Cinema Girl in 1920s Montmartre. Feminist Media Histories 2017 ;Volum 3.(4) s. 162-194
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5 Fee, Annie.
“Aller au cinéma à Paris pendant les années 1920: Une approche spatiale de l’histoire des salles de cinema”. “Séances des années folles. Salles, pratiques, techniques”; 2017-06-02 - 2017-06-02
UiO Untitled
 
6 Fee, Annie.
Cinephiles, Children and Communists: Discourses and Practices of Cinema Education in 1920s Paris. Framework 2017 ;Volum 58.(1 & 2) s. 38-51
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7 Fee, Annie.
Cinephilia. Oxford Bibliographies Online 2017
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8 Fee, Annie.
“Silent Women: Pioneers of Cinema”. Early Popular Visual Culture 2017 ;Volum 15.(1) s. 101-104
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2016
9 Fee, Annie.
“Activism and Admiration: Mapping Working-Class Cinema Culture in 1920s Paris”. Modern European Social and Cultural History Seminar; 2016-01-26 - 2016-01-26
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10 Fee, Annie.
“Give Me Shelter: Cinemas and Working-Class Life in Inter-war Paris”. French Modern History Seminar; 2016-11-18 - 2016-11-18
UiO Untitled
 
11 Fee, Annie.
“The Local Cinema as Place Publique: The Working Class of Parisian Inter-war Cinemas”. Cinema and Cultural Memory Workshop; 2016-11-18 - 2016-11-18
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12 Fee, Annie.
“Une approche cartographique à l’histoire des cinémas parisiens”. ALPAGE Meeting; 2016-09-23 - 2016-09-23
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13 Fee, Annie.
“Une approche spatiale pour l’histoire du cinéma à Paris”. Journée d'études: cinéma, théâtre, musique; 2016-12-03 - 2016-12-03
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2014
14 Fee, Anna.
“‘Gaumont Offers “La Russie Rouge” and All Paris Takes Sides’: Working-Class Activism in Paris Cinemas, 1921–1922.”. Early Popular Visual Culture 2014 ;Volum 12.(2) s. 238-259
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